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We can ship to virtually any address in the world. Note that there are restrictions on some products, and some products cannot be shipped to international destinations.
When you place an order, we will estimate shipping and delivery dates for you based on the availability of your items and the shipping options you choose. Depending on the shipping provider you choose, shipping date estimates may appear on the shipping quotes page.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.
you may return it for REFUND or EXCHANGE it for
another style within 30 days of receiving your order.Few bands have a sonic identity as instantly recognizable as Tool. Their blend of atmospheric clean tones, layered distortion, and powerful rhythmic bass work has shaped a signature sound that continues to inspire players worldwide.
The Choptones Toolbox Vol.1 Pack is a curated collection inspired by the guitar and bass tones crafted by Adam Jones and Justin Chancellor. Designed for Neural DSP Quad Cortex, this pack delivers expressive, dynamic presets that capture the depth, clarity, and evolving textures these artists are known for.
Inside the pack, you’ll find 10 guitar presets and 10 bass presets, each featuring multiple scenes and clearly labeled after the song and part they were created for. From ambient cleans to modulated drives, from gritty bass textures to cinematic leads, every preset is built to offer a tone that seeks to recreate the character of Tool’s most iconic recordings.
Simply load the presets, explore them, and enjoy a versatile, performance-ready toolbox of tones. If a preset uses Wah or Whammy, just calibrate or connect your expression pedal for full functionality.
Toolbox Vol.1 — a powerful, inspiring tone collection designed to help you explore the sonic world shaped by one of modern rock’s most innovative bands.
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