Currency


Free Shipping on $60 or More!
We can ship to virtually any address in the world. Note that there are restrictions on some products, and some products cannot be shipped to international destinations.
When you place an order, we will estimate shipping and delivery dates for you based on the availability of your items and the shipping options you choose. Depending on the shipping provider you choose, shipping date estimates may appear on the shipping quotes page.
Please also note that the shipping rates for many items we sell are weight-based. The weight of any such item can be found on its detail page. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound.
you may return it for REFUND or EXCHANGE it for
another style within 30 days of receiving your order.By Malcom McNeill. Published by Stalking Horse Press.
Softcover, 134 pages, Colour, 2018 (originally published 1977-1979)
This is the first time that the prototypical graphic novel—written and illustrated in a wild period for New York’s Gallery magazine between 1977-79—has been collected, and presented in full color with a new introduction and afterword by its creator. These essays contextualize the unique experimentalism of Tetra in theme, style, and production. Originally suggested as a Star Wars pastiche complete with space opera trappings and messianic tendencies, Mc Neill always had a different idea.
Tetra is a visionary, surreal visual narrative, presaging a number of later science fiction tropes, and emerged from the context of Mc Neill’s suppressed collaboration with William S. Burroughs, Ah Pook Is Here. It coincides with the emergence of Heavy Metal magazine, and the exploitation of the science fiction boom. The unusual pretext and the challenges of creating and selling such an irreverant strip are detailed inside, along with archival production sketches, costumes, and concept art.
Malcolm Mc Neill worked as a political artist for The New York Times, cover artist for Marvel Comics, and title sequence designer for Saturday Night Live. His images have been exhibited in London, New York and Los Angeles. As a Director, he won numerous awards including an Emmy, and was introduced at the Broadcast Design Awards in 1991 as “…the man probably responsible for the most imitated [television] design style of the 1980s”.



Thanks for subscribing!
This email has been registered!